Palestinian farmers know their land by the square-millimeter. To them, there is no such thing as “wild plants”: each sprout on their land is an expression of Palestinian life, as indigenous flora. They harvest the crops, take care of their trees, and walk along their vines with the same love and responsibility with which they protect their loved ones. Their families have been caretakers of these trees for generations; the olive trees have been feeding and protecting their caretakers for just as long.
Born in a little village near Ramallah in 1947, Suleiman Mansour maintained a great attachment to his native rural hometown and its customs, painting portraits of his relatives since his youngest age. In the 1970s, he took part in a thorough research project on the folkloric heritage of Palestinian culture, an initiative that profoundly shaped his subsequent active involvement in the Palestinian art movement. Preoccupied with the preservation and publication of traditional artworks, Mansour aimed to safeguard indigenous Palestinian culture while offering native forms of inspiration to new generations of artists and influencing contemporary art. More on Suleiman Mansour
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