These art pieces reflects the haunting reality of life in the Gaza Strip. The people of Gaza are under constant bombing threats, potential attacks, and surveillance by Israeli drone systems. This reality has created a perpetual sense of fearful anticipation. The use of drones is powerfully captured in Shawa’s work, as drones have become essential to the technologies of modern warfare.
Shawa sheds light on the struggles faced by the people of her homeland, encapsulating the spirit of a community living under the shadow of conflict. Through Gaza Sky II, Shawa brings attention to the cost of technology of modern warfare that inflicts massive human losses at the hands of unmanned combat vehicles. Shawa’s thought-provoking artwork invites us to contemplate the profound impact of new military technology on civilian populations and infrastructure. More on this work
Laila Shawa (Born Gaza 1940) graduated summa cum laude in Fine Arts from the Italian Accademia di Belle Arti in 1964 and received a diploma in plastic arts from the Accademia San Giacomo in Rome. From 1965 to 1967, she returned to Gaza to teach arts and crafts to underprivileged children. She now lives and works in London. As a Palestinian artist, Shawa’s concern is to reflect the political realities of her country, becoming, in the process, a chronicler of events. Her work is based on a heightened sense of realism and targets injustice and persecution wherever their roots may be.
Her work has been exhibited in Italy, Germany, Austria, and the United Kingdom, in most Arab countries, North Africa, Iraq, Russia, China, Japan, Malaysia and USA. She is represented in public and private collections across the world, including the National Galleries of Jordan and Malaysia, the Ashmolean Museum, Oxford, the British Museum in London and the National Museum for Women in the Arts, Washington D.C. Her work is currently on tour in Brazil, in the Centro Cultural Banco do Brazil’s exhibition Isla, the first major exhibition of Islamic Art in Brazil. More on Laila Shawwa
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