Friday, May 26, 2023

12 Paintings, Middle East Artists, Nuri Iyem's three graces, with Footnotes #74

NURI IYEM, 1915-2005, Turkish
UNTITLED, c. 1970
Oil on canvas,
80 by 120 cm.; 31½ by 47¼ in.
Private collection

"The trio portraits are a theme meticulously guarded and cherished by Iyem within his oeuvre. The three graces of mythology who transform the judgement of Paris to the screams of Troy roam through the paintings of Botticelli and Rubens to reach the modern day while for Iyem, these female portraits also represent the wholesomeness of the Anatolian woman condensed into a representation of three figures, as if to imbue these graces with a certain irony. The women depicted in duos, trios or in more crowded compositions would be looking at different directions adding another level of depth to a two dimensional canvas, while brimming with further meaning and affluence." Kiymet Giray, Nuri Iyem, Istanbul 1998, p. 157

Sold for 32,500 GBP on March 2020

NURI IYEM, 1915-2005, Turkish
ÜÇ ELTILER (THREE SISTERS-IN-LAW), c. 1960s-1970s.
Oil on hardboard, in artist's frame
61.5 by 41.5cm.; 24¼ by 16¼in.
Private collection

Sold for 10,000 GBP on October 2019

NURI IYEM, 1915-2005, Turkish
Three Beauties, c. 1970's
Oil on canvas
20x80
Private collection

Anatolian women, who are the main characters of many of Nuri İyem's paintings, always have a sadness in their eyes. The eyes of the Anatolian woman in her works resemble the eyes of the artist's elder sister, whom she lost at an early age. More on this painting

NURI IYEM, 1915-2005, Turkish
 Üç Güzeller / Three Graces, c. 1970's
Oil on board
61.5x42
Private collection

NURI IYEM, 1915-2005, Turkish
Portrait, c. 1976
Oil on canvas
34x42
Private collection


NURI IYEM, 1915-2005, Turkish
Three Beauties, c. 1979
Oil on canvas
50x50
Private collection

He observes the Anatolian people, their internal processes, migration from the village to the city, shantytown life, fishermen, and perceives Anatolia as a 'woman'. For this reason, emotions are presented to us in a naive way in the paintings he produces. The most striking feature in the portraits of women is the mastery of the reality of society. More on Nuri Iyem

NURI IYEM, 1915-2005, Turkish
Figürlü peyzaj - Köylü kadınl/ Figured landscape - Peasant women, c. 1976
Oil on canvas
180x100
Private collection

The artist, who walked on the path of emotional realism in his early years, made extensive and successful researches in cubism and abstract geometric fields. The artist, who produces satisfying works in the figurative field with his unique style and personality, is one of the strongest painters of his generation.

NURI IYEM, 1915-2005, Turkish
Three Beauties, c. 1975
Oil on canvas
151x100
Private collection

NURI IYEM, 1915-2005, Turkish
Three women portrait
Oil on canvas
200x100
Private collection


NURI IYEM, 1915-2005, Turkish
Three Beauties, c. 1976
Oil on canvas
 45x36
Private collection

NURI IYEM, 1915-2005, Turkish
Three Beauties in the Suburbs, c. 1960
 Oil on chipboard
 30x30,
Private collection

NURI IYEM, 1915-2005, Turkish
Gelincik Abla'nın Sığırcıkları/ Weasel Sister's Starlings, c. 1999
Oil on duralite
72 x 56 cm
Private collection

Sold for 740.000 TL on 05.2023

Nuri İyem, (1915 - d. 18 June 2005 ) was a leading figure in the Turkish painting and social-realistic art movement.

Nuri İyem was born in Istanbul in 1915. During his childhood he used to paint walls with charcoal. Because of his father's job as a health official, İyem spent his childhood in various cities of Anatolia. After finishing primary school in Mardin, he returned back to Istanbul to attend secondary school and he studied at Vefa and Pertevniyal Highschools.

His passion to be a painter was forcing his dreams through the coasts of Fındıklı where the Fine Arts Academy stood. . Those dreams would be concluded with his enrollment at the Academy in spite of his parents' desire to see their child as a doctor.

Nuri İyem was one of the most important living masters of Turkish painting. He has produced, exhibited, written and discussed art without a break, in spite of all the difficulties to exist as an artist during the social and cultural course of the Republic period. Nuri has crowned his life with many precious art works and his own story is not just an autobiographical representation of an artist, but also an expression of real struggle and honour. More on Nuri İyem



Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints365 Days, and Biblical Icons, also visit my Boards on Pinterest

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I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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Tuesday, May 9, 2023

07 Paintings, Middle East Artists, Nuri Iyem's Ordinary Lovers, with Footnotes, #73

Nuri Iyem, 1915 - 2005
Sıradan Sevdalılar (Ordinary Lovers), c. 1970
Oil on board
38 by 45 cm. 15 by 17¾ in.
Private collection

Nuri Iyem, 1915 - 2005
Sıradan Sevdalılar (Ordinary Lovers), c. 1970
Oil on canvas
100x70
Private collection

Nuri Iyem (Turkish, 1915–2005)
Figüratif , c. 1985
Oil on canvas
23 x 29 cm. (9.1 x 11.4 in.)
Private collection

Nuri Iyem, 1915 - 2005
Sıradan Sevdalılar (Ordinary Lovers), c. 1999
Oil on board
100x80
Private collection

Nuri Iyem, 1915 - 2005
Sıradan Sevdalılar (Ordinary Lovers), c. 1970
Oil on board
50x50
Private collection

Nuri Iyem, 1915 - 2005
Husband and wife, c. 1998
Oil on Duralit
80x60
Private collection

Nuri Iyem, 1915 - 2005
Husband and wife, c. 1975
Oil on Duralit
59x49
Private collection

Nuri İyem, (1915 - d. 18 June 2005 ) was a leading figure in the Turkish painting and social-realistic art movement.

Nuri İyem was born in Istanbul in 1915. During his childhood he used to paint walls with charcoal. Because of his father's job as a health official, İyem spent his childhood in various cities of Anatolia. After finishing primary school in Mardin, he returned back to Istanbul to attend secondary school and he studied at Vefa and Pertevniyal Highschools.

His passion to be a painter was forcing his dreams through the coasts of Fındıklı where the Fine Arts Academy stood. . Those dreams would be concluded with his enrollment at the Academy in spite of his parents' desire to see their child as a doctor.

Nuri İyem was one of the most important living masters of Turkish painting. He has produced, exhibited, written and discussed art without a break, in spite of all the difficulties to exist as an artist during the social and cultural course of the Republic period. Nuri has crowned his life with many precious art works and his own story is not just an autobiographical representation of an artist, but also an expression of real struggle and honour. More on Nuri İyem





Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.


Saturday, May 6, 2023

01 Paintings Middle East Artists, Arghavan Khosravi's White Flag, with Footnotes #72

Arghavan Khosravi, Iranian, b. 1984
The White Flag, c. 2022
Acrylic on canvas mounted on shaped wood panels
76 × 94 × 9 in, 193 × 238.8 × 22.9 cm
Private collection

This painting by Arghavan Khosravi depicts a woman rising over the top of a mosque. The woman’s eyes are closed and her lips are sewn shut. On one end, the thread binding her mouth also runs through her ears, is tied to the architecture of the mosque, and then is tied to a skeleton key. On the other end, the thread is connected to an iron ball, which is then connected to additional threads running into each of the windows in the building, where blindfolded women are imprisoned. Atop one of the windows flies a white flag of surrender. In the courtyard of the mosque, a willow tree is burning. Inside the mosque, behind the iron ball, red lines are visible. For Khosravi, these red lines are symbolic of the restrictions that are imposed on people by autocratic systems. These red lines first appeared in past bodies of Khosravi’s work, and have gradually metamorphosed into the black lines she now mobilizes to indicate chains, bindings, and prison bars. 

Arghavan Khosravi subverts the flatness of Persian miniatures in her work, extending the image into three-dimensional space. By literally and symbolically tying contemporary women in post-revolutionary Iran to the aesthetic and cultural traditions of the ancient past, she is examining how values are transmitted and fostered through visual art, and literally broadening the narrative to create new spaces that welcome fresh points of view. More on this painting

Arghavan Khosravi weaves Persian motifs and Surrealist iconography into ghostly, enigmatic figurative paintings that thematize gender, censorship, and cultural transience. The Iranian-born artist holds two MFAs: one in illustration from the University of Tehran, and another in painting from the Rhode Island School of Design (RISD). Khosravi has exhibited in Tehran, New York, Milan, and Brussels, and her work belongs to multiple collections including the Newport Art Museum, the RISD Museum, and the Recharge Foundation. In her richly symbolic mixed-media work, which often features thread, Khosravi untangles the complex relationship between authoritarianism, prejudice, and restrictions for women across cultural milieu. More on Arghavan Khosravi




Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.