01 Painting, Middle East Artists, Juhaina Habibi Kandalaft's Untitled (La Guitariste/Knowing to Perform), with Footnotes #61

Juhaina Habibi Kandalaft

Untitled (La Guitariste/Knowing to Perform), c. 1986

Oil on canvas

98.5 by 68.7 cm. 38 3/4 by 27 in.

Private collection

Estimate for 4,000 - 6,000 GBP in October 2022

Juhaina Habibi Kandalaft was born in Jerusalem in 1947, later lived and grew up in Haifa and Nazareth where she now resides; married with four children.

The artist started drawing and painting as a hobby in her childhood. Fourteen years after her marriage, she joined the school of arts at Oranim College (Tivon) where she graduated in 1985. She taught art, sculpture and painting in different schools in Nazareth and the area, and in her spare time she paints in her private studio. She uses oil colors on canvas in different combined techniques and she sculptures using mud.

Her Palestinian origin is clearly expressed in her works depicting the land, trees, and the soil of her country. More on Juhaina Habibi Kandalaft

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

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01 Paintings, Middle East Artists, Hosni Radwan's City of Paradoxes 6, with Footnotes, #76

Hosni Radwan

City of Paradoxes 6, 2022

Charcoal, gold leaf and acrylic on canvas

29 1/10 × 20 9/10 in | 74 × 53 cm

Private collection

The city of Jerusalem is the focus of Hosni Radwan’s latest series of artworks. Using charcoal, acrylic, and gold leaf on canvas, he attempts to express his fascination with a city haunted by shades of paradoxes.

The minute Radwan saw Jerusalem, after living in the diaspora most of his life, he fell in love with it. He was fascinated with the place, its beauty, and contradictions; the little arches, the oriental style of architecture, the smells, the colors, the noises, and the unique way of living. Jerusalem brought the artist closer to safety and belonging as it carried him back to his childhood in the old city of Baghdad (the place where his family was displaced in 1948). The two places have many things in common, which appear on the surface of his paintings as childish sparkles, cold grey corners, little ancient white domes, golden holy places as well as pink stones. More on this painting

Hosni Radwan was born in Baghdad in 1955. He studied fine arts at the University of Baghdad, specializing in graphics. He held a number of solo exhibitions in Iraq, Lebanon, Cyprus, Japan, and Palestine. Radwan took part in international biennales, including those of Berlin, Cairo, and Sharjah. He left Baghdad in 1979 and headed to Beirut, where he worked in graphic design and journalism while continuing to draw and paint, using his talents to express his position vis-à-vis the cause of his people. Radwan’s works have special characteristics as they do not include realistic or political imitations. Hosni Radwan seeks to photograph the external world in all of its spaces and its various states and situations, using techniques that go beyond colour and different materials, thus forming a world of his own. Details of the scenes in Baghdad have played a major role in his artistic experience, inspiring his work that has spanned over 25 years of ongoing production. He mixes acrylics with sand, wood and paper, and other visible and tangible objects, creating mounds surrounding his works and their special, abstract world. More on Hosni Radwan

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Painting, Middle East Artists, Frigate of the Rais Hamid chased by these ships of the Americans, with Footnotes #75

Unknown artist

Frigate of the Rais Hamid chased by these ships of the Americans

Ink and watercolour on paper

H. 14 5/8 in. (37.1 cm), W. 19 5/16 in. (49 cm)

 The Metropolitan Museum of Art.

The Arabic inscription at bottom of the painting identifies the scene as the Battle of Cape Gata– a devastating blow to the Barbary forces by the American navy in the year 1815. At the center, the Algerian ship Mashudu is identifiable by its bright red flag at the stern. Nine American ships have surrounded the Algerian vessel as billowing clouds of smoke indicate the exchange of cannon fire.

When the smoke cleared, among the dead was Algerian corsair Rais Hamidu (1773–1815) a relentless pirate who was the focus of the American attack. Hamidu was targeted for his role in leading raids on American merchant vessels in the Mediterranean, and demanding ransom for their crews. More on this painting

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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