01 Painting, MIDDLE EASTERN ART, Suleiman Mansour's Fisher, with Footnotes #64

Suleiman Mansour

Fisher, c. 2016

Oil on canvas

235⁄8 x 271⁄2in. (60 x 70cm.)

Private collection

Sold for USD 25,200 in May 2023

Due to fear of Israeli attacks, fishermen in Gaza started fishing from shore instead of using their boats, resulting in a modest catch as the fish near shore are typically very small. Israel has killed more than 200 fishermen and forced nearly 4,000 out of employment. 200 fishermen killed in Gaza

Born in a little village near Ramallah in 1947, Suleiman Mansour maintained a great attachment to his native rural hometown and its customs, painting portraits of his relatives since his youngest age. In the 1970s, he took part in a thorough research project on the folkloric heritage of Palestinian culture, an initiative that profoundly shaped his subsequent active involvement in the Palestinian art movement. Preoccupied with the preservation and publication of traditional artworks, Mansour aimed to safeguard indigenous Palestinian culture while offering native forms of inspiration to new generations of artists and influencing contemporary art. More on Suleiman Mansour

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

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01 painting, Middle East Artists, The Art of War, Suleiman Mansour's Gaza, with Footnotes #103

Suleiman Mansour

Gaza, c. 2014

Oil on canvas

33 3/8 x 44 3/8 in. (85 x 113cm.)

Private collection

Sold for USD 43,750 on Mar 2019

Suleiman Mansour, together with Ismail Shammout are one of the two most important Palestinian artists who created a national identity for Palestinians over the years. Since the early 1970s, Mansour has been a champion and pioneer of the Palestinian artistic movement that has continuously pushed against the challenges and burdens that the community has faced. Inviting the viewer to feel the burden and struggle of the heavy weight of Palestinian history, the painting signifies a bleak future that has become something to fear, depicting the agony of the people since the loss of their land. More on this painting

Sliman Mansour ( born 1947), is a Palestinian painter, considered an important figure among contemporary Palestinian artists. Mansour is considered an artist of intifada whose work captures to the cultural concept of sumud. Palestinian artist and scholar Samia Halaby has identified Mansour as part of the Liberation Art Movement and cites his important work as an artist and cultural practitioner before and after the Intifada.

During the Intifada, Mansour was part of the "New Visions" group of Palestinian artists that included Tayseer Barakat, Vera Tamari, and Nabil Anani. This collective turned to earthworks and mixed media and assemblage using materials derived from the Palestinian environment in order to boycott Israeli art supplies in protest of the ongoing occupation. In 1988 he made a series of four paintings on destroyed Palestinian villages, the four villages being Yibna, Yalo, Imwas and Bayt Dajan.

He is a co-author of Both Sides of Peace: Israeli and Palestinian Political Poster Art, published in 1998 by the Contemporary Art Museum with University of Washington Press. More on Sliman Mansour

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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01 Painting, Middle East Artists, The Art of War, Suleiman Mansour's Untitled, The destruction of Palestine's Olive trees, with Footnotes #76

Suleiman Mansour

Untitled, c. 2010

The distruction of Palistine's Olive trees

Oil on canvas

101.5 by 85cm. 40 by 33 1/2 in.

Private collection

Sold for 25,200 GBP in October 2022

Palestinian farmers know their land by the square-millimeter. To them, there is no such thing as “wild plants”: each sprout on their land is an expression of Palestinian life, as indigenous flora. They harvest the crops, take care of their trees, and walk along their vines with the same love and responsibility with which they protect their loved ones. Their families have been caretakers of these trees for generations; the olive trees have been feeding and protecting their caretakers for just as long.

In the West Bank, the Israeli army has banned Palestinian farmers from reaching their land and groups of settlers are burning farmers’ crops. 

“The Occupation has prevented us from plowing, pruning, and reaping our fruits by expelling us from the land before and after the war. The settlers have always beaten us and threatened to kill us. They call in the army, which expels us from our land under false pretexts.” More on Palestinian farmers

Born in a little village near Ramallah in 1947, Suleiman Mansour maintained a great attachment to his native rural hometown and its customs, painting portraits of his relatives since his youngest age. In the 1970s, he took part in a thorough research project on the folkloric heritage of Palestinian culture, an initiative that profoundly shaped his subsequent active involvement in the Palestinian art movement. Preoccupied with the preservation and publication of traditional artworks, Mansour aimed to safeguard indigenous Palestinian culture while offering native forms of inspiration to new generations of artists and influencing contemporary art. More on Suleiman Mansour

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 work, Middle East Artists, THE ART OF WAR, Suleiman Mansour's The bride of the Homeland (Lina Al-Nabulsi*), with Footnotes #101

Suleiman Mansour

The bride of the Homeland (Lina Al-Nabulsi*), c. 1976

Oil on canvas

Painting confiscated by the Israeli government. The Palestine Poster Project Archives

On May 15, 1976 a 17-year-old Lina was shot and killed by an IDF soldier while walking home from school in Nablus.

According to the Jewish Telegraphic Agency, Israeli authorities stated that a stray bullet hit Lina when a soldier’s rifle went off accidentally. An investigation into the incident was ordered, with IDF forces reiterating their commitment to only use live ammunition when their own lives were in danger. More on this painting

Lina Nabulsi is an international student from Jordan. She is currently pursuing a dual degree program in Public Health and Global Policy. Lina worked for a while as a research executive, working on projects related to education, gender issues, and women’s and children’s health with well known organizations such as USAID, UNICEF, UNDP, and Abt Associates. She also did a short internship with Human Rights Watch in DC. Her main interests are in social development, poverty, refugee affairs, and the never ending conflict in the Middle East... The University of Texas at Austin

In his early years the painter, Mansour was jailed twice under the pretense that his works were inciting violence. “They didn’t tell me that I was arrested because I was an artist, but I think they wanted to intimidate me,” he said of the two-week-long interrogations. “They put a bag on my head; I was handcuffed behind my back; I was beaten, the same as what everyone else who is imprisoned goes through. I didn’t pose any threat in terms of security — they just didn’t like what we were doing.” Hyperallergic

Born in a little village near Ramallah in 1947, Suleiman Mansour maintained a great attachment to his native rural hometown and its customs, painting portraits of his relatives since his youngest age. In the 1970s, he took part in a thorough research project on the folkloric heritage of Palestinian culture, an initiative that profoundly shaped his subsequent active involvement in the Palestinian art movement. Preoccupied with the preservation and publication of traditional artworks, Mansour aimed to safeguard indigenous Palestinian culture while offering native forms of inspiration to new generations of artists and influencing contemporary art. More on Suleiman Mansour

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Painting, Middle East Artists, Suleiman Mansour's Motherhood, with Footnotes #69

Suleiman Mansour (b. 1947)

Motherhood, c. 1986

Oil on canvas

108 by 69 cm. 42½by 27 in.

Private collection

Sold for 63,500 GBP in Oct 2023

An impassioned and tender depiction of the relationship between mother and child, Motherhood represents Mansour’s natural tendency towards familiar subjects, here both familial and national. With sincerity, the artist has rendered the ubiquitous narrative of motherhood with a localised style and custom; dressed in traditional robe, the woman holds her child overhead towards the sky, as he grasps for the beaming sun in a ritualistic gesture. More on this painting

Born in a little village near Ramallah in 1947, Suleiman Mansour maintained a great attachment to his native rural hometown and its customs, painting portraits of his relatives since his youngest age. In the 1970s, he took part in a thorough research project on the folkloric heritage of Palestinian culture, an initiative that profoundly shaped his subsequent active involvement in the Palestinian art movement. Preoccupied with the preservation and publication of traditional artworks, Mansour aimed to safeguard indigenous Palestinian culture while offering native forms of inspiration to new generations of artists and influencing contemporary art. More on these paintings

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Painting, Middle East Artists, Sliman Mansour's ON THE EDGE, with Footnotes #33

Sliman Mansour, b. 1947, Palestinian

ON THE EDGE, c. 1985

Oil on canvas

80 by 70.5 cm.; 31½ by 27¾ in.

Private collection

Estimate for 30,000 - 40,000 GBP in March 2020

Sliman Mansour ( born 1947), is a Palestinian painter, considered an important figure among contemporary Palestinian artists. Mansour is considered an artist of intifada whose work captures to the cultural concept of sumud. Palestinian artist and scholar Samia Halaby has identified Mansour as part of the Liberation Art Movement and cites his important work as an artist and cultural practitioner before and after the Intifada.

During the Intifada, Mansour was part of the "New Visions" group of Palestinian artists that included Tayseer Barakat, Vera Tamari, and Nabil Anani. This collective turned to earthworks and mixed media and assemblage using materials derived from the Palestinian environment in order to boycott Israeli art supplies in protest of the ongoing occupation. In 1988 he made a series of four paintings on destroyed Palestinian villages, the four villages being Yibna, Yalo, Imwas and Bayt Dajan.

He is a co-author of Both Sides of Peace: Israeli and Palestinian Political Poster Art, published in 1998 by the Contemporary Art Museum with University of Washington Press. More on Sliman Mansour 

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Painting, Middle East Artists, with Footnotes, #24

Suleiman Mansour, (Palestinian, b. 1947)

Jamal Al Mahamel III (The Camel/Carrier of Hardships III), c. 2005

Acrylic on canvas

59 7/8 x 39in. (152 x 99cm.)

Private collection

Born in 1947, Birzeit, Palestine, Sliman Mansour studied fine art at the Bezalel Art Academy in Jerusalem. He has held solo exhibitions in Ramallah, New York, Sharjah, Cairo, Gaza and Stavanger, Norway. His group exhibitions include Museum of Oriental Art, Moscow (1980), Palestinian Spring, Al-Hakawati Theatre, Jerusalem, 1985; New Visions, Jordan National Gallery of Fine Arts, Amman, 1991; Made in Palestine, Station Museum of Contemporary Art, Houston, Texas, 2003; and Contemporary Graphic Art in the Arab World, Nabad Gallery, Amman, 2010. In 1998 he received the Palestine Prize for the Visual Arts at the Cairo Biennial. Sliman Mansour draws inspiration from the subject of the olive tree, and has focused on the theme of ‘land’ since 1970. His recent work is centred on the individual figure to convey the ‘different states of exhausting anticipation or loss,’ resulting from his experience of living under the occupation. More on Sliman Mansour 

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

01 Painting, Middle East Artists, with Footnotes, #23

Sliman Mansour, B. 1947, Palestinian

FROM JERUSALEM, c. 2004 

Oil on canvas

116.5 by 62cm.; 45⅞ by 24⅜in.

Peivate collection

Born in 1947, Birzeit, Palestine, Sliman Mansour studied fine art at the Bezalel Art Academy in Jerusalem. He has held solo exhibitions in Ramallah, New York, Sharjah, Cairo, Gaza and Stavanger, Norway. His group exhibitions include Museum of Oriental Art, Moscow (1980), Palestinian Spring, Al-Hakawati Theatre, Jerusalem, 1985; New Visions, Jordan National Gallery of Fine Arts, Amman, 1991; Made in Palestine, Station Museum of Contemporary Art, Houston, Texas, 2003; and Contemporary Graphic Art in the Arab World, Nabad Gallery, Amman, 2010. In 1998 he received the Palestine Prize for the Visual Arts at the Cairo Biennial. Sliman Mansour draws inspiration from the subject of the olive tree, and has focused on the theme of ‘land’ since 1970. His recent work is centred on the individual figure to convey the ‘different states of exhausting anticipation or loss,’ resulting from his experience of living under the occupation. More on Sliman Mansour

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.