Showing posts with label Hayv Kahraman. Show all posts
Showing posts with label Hayv Kahraman. Show all posts

Thursday, May 29, 2025

01 Painting, Middle East Artists, Hayv Kahraman's Cleaning, with Footnotes part #68

Hayv Kahraman
Cleaning, c. 2009
Oil on canvas
52 × 86 in | 132 × 218.4 cm
Private collection

This work is part of a series of large canvases titled Domesticated Marionettes where the representation of the mundane life of an ordinary housewife is highlighted and the monotony of daily chores including that of sexual fulfillment is the focus.

These women assume a false sense of sovereignty and the delusion of being queens in their homes. More on Domesticated Marionettes

Hayv Kahraman’s oil-on-linen paintings depict women in both peaceful repose and in unsettling contortions. Embracing material exploration, the Iraqi-born artist has sliced into her canvases, incorporated acoustic foam amid the linen, painted on wood, made sculpture, sketched, and choreographed performance. Kahraman draws on disparate influences including Renaissance painting, Persian miniature painting, Art Nouveau, and her own experience as a woman in the Iraqi diaspora. Kahraman studied at the Florence Academy of Fine Arts and UmeĆ„ University in Sweden. She has exhibited in New York, Los Angeles, London, Dubai, and beyond. Her work belongs to several collections including the Museum of Contemporary Art San Diego, the North Carolina Museum of Art, the Rubell Family Collection, the Barjeel Art Foundation in Sharjah, and the Mathaf: Arab Museum of Modern Art in Doha. More on this painting

Hayv Kahraman is an Iraqi artist born in 1981. At the age of 11, her family left Baghdad during the Gulf War and settled in Sweden for several years, where her status of refugee became a catalytic experience for her artistic practice. Having studied graphic design at the Accademia di Arte e Design di Firenze, Italy, Kahraman uses a variety of media including sculpture, drawing and painting to address difficult issues relative to gender inequalities, war and the migrant experience. Channeling refined aesthetics inspired from Islamic arts, Art Nouveau and Japanese paintings to confront the viewer with controversial scenes, the artist engages with the notion of femininity in Middle Eastern cultures. Her approach to gender roles and female identity encapsulates how women are persecuted in their own culture through systematic submission to the male gaze, physicality and politics. More on Hayv Kahraman




Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

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Monday, December 9, 2024

01 Painting, MIDDLE EASTERN ART, Hayv Kahraman's The Kawliya Dance, with Footnotes , #60

Hayv Kahraman (Iraqi, b. 1981)
The Kawliya Dance, c. 2013
Oil on panel
47 2/3 x 96 3/8 in. (121 x 245cm.)
Private collection

Sold for GBP 118,750 in 2018

Dance of El Kawliya is a dance of improvisation. The movements are full of power, earthiness, passion and a zest for life. Iraqi Gypsy dancers have kept their traditional dances alive by maintaining their simple lifestyle and by not allowing modern elements from ballet or from any other modern dance direction to slip in. It belongs to the Shaabi Repertoires of the Iraqi Dance. More on The Kawliya Dance

Hayv Kahraman is an Iraqi artist born in 1981. At the age of 11, her family left Baghdad during the Gulf War and settled in Sweden for several years, where her status of refugee became a catalytic experience for her artistic practice. Having studied graphic design at the Accademia di Arte e Design di Firenze, Italy, Kahraman uses a variety of media including sculpture, drawing and painting to address difficult issues relative to gender inequalities, war and the migrant experience. Channeling refined aesthetics inspired from Islamic arts, Art Nouveau and Japanese paintings to confront the viewer with controversial scenes, the artist engages with the notion of femininity in Middle Eastern cultures. Her approach to gender roles and female identity encapsulates how women are persecuted in their own culture through systematic submission to the male gaze, physicality and politics. More on Hayv Kahraman




Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.


Friday, December 6, 2024

02 Paintings, Middle East Artists, Hayv Kahraman's Persian Couple 1 & 2, with Footnotes, #64

Hayv Kahraman
Persian Couple 2
Oil on linen
106.7 by 172.7 cm. 42 by 68 in.
Private collection

Sold for 68,750 USD in Nov 2015

The present painting brings attention to the emotional state of the female character, echoed by the tones and the tamed senses of depth and motion depicted in the work. The juxtaposed painted patterns mimicking bedsheets over the naked bodies create a deep sense of contrast with the bare canvas around the faces of the characters. In this manner, Kahraman not only creates a graphic sense of spatial illusion, but also forces the viewer to interpret the violence of the scene through the repressed expressions of the protagonists rather than the raw confrontation of their bodies. The sharp shapes and dim colours combined with a near-absence of light and movement convey a poignant feeling of numbness and resignation. Despite the jarring implications of this scene, the painting is infused with an aura of femininity and softness – a system of representation characteristic of Kahraman’s practice, subverting conventional portrayals of violence and oppression to challenge the common perception of the role occupied by women in the Middle East. Fundamental to that purpose is the use of traditional Middle Eastern garments and tessellated patterns. By means of combining complex, wounded realities with her astonishing technical virtuosity, Hayv Kahraman has shaped modern ideas of feminism and decolonisation into accessible and seductive fairy-tale imagery with astonishing power and impact. More on this painting

Hayv Kahraman, American/Iraqi, born 1981
Persian Couple 1, c. 2009
68 x 42 in. (172.7 x 106.7 cm.)
Private collection

Hayv Kahraman is an Iraqi artist born in 1981. At the age of 11, her family left Baghdad during the Gulf War and settled in Sweden for several years, where her status of refugee became a catalytic experience for her artistic practice. Having studied graphic design at the Accademia di Arte e Design di Firenze, Italy, Kahraman uses a variety of media including sculpture, drawing and painting to address difficult issues relative to gender inequalities, war and the migrant experience. Channeling refined aesthetics inspired from Islamic arts, Art Nouveau and Japanese paintings to confront the viewer with controversial scenes, the artist engages with the notion of femininity in Middle Eastern cultures. Her approach to gender roles and female identity encapsulates how women are persecuted in their own culture through systematic submission to the male gaze, physicality and politics. More on Hayv Kahraman




Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.


Saturday, March 23, 2024

01 photograph, Middle East Artists, THE ART OF WAR, Hayv Kahraman's Chained, with Footnotes #97

Hayv Kahraman
Chained, c. 2007
Ink on paper
44″ x 30″
Private collection

«I draw inspiration from many of the theoretical and practical feminist ideologies. While I admire the work of Simone de Beauvoir and Judith Butler, I also believe that collective nonviolent activism plays a fundamental role in changing pre-existing perceptions. My work predominantly consists of representative activism. "It is a powerful instrument of non-verbal expression, and why not use it if it can be a catalyst for social change?" More on this painting

Hayv Kahraman is an Iraqi artist born in 1981. At the age of 11, her family left Baghdad during the Gulf War and settled in Sweden for several years, where her status of refugee became a catalytic experience for her artistic practice. Having studied graphic design at the Accademia di Arte e Design di Firenze, Italy, Kahraman uses a variety of media including sculpture, drawing and painting to address difficult issues relative to gender inequalities, war and the migrant experience. Channeling refined aesthetics inspired from Islamic arts, Art Nouveau and Japanese paintings to confront the viewer with controversial scenes, the artist engages with the notion of femininity in Middle Eastern cultures. Her approach to gender roles and female identity encapsulates how women are persecuted in their own culture through systematic submission to the male gaze, physicality and politics. More on Hayv Kahraman




Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.