Middle East Artists: Alma

Showing posts with label Alma. Show all posts

Monday, July 29, 2024

01 Work, Middle East Artists, THE ART OF WAR, The Pre-Raphaelite's Bravery on the Battlefield, with Footnotes #86

After the Pre-Raphaelite

Bravery on the Battlefield

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As Alma lay there, her thoughts drifted back to the events that had unfolded. She had been leading her tribe, defending their land from invaders who sought to claim their resources. The battle had raged on for days, leaving casualties scattered across the sandy terrain. With every swing of her scimitar, she had fought valiantly to protect her people.

But the enemy proved to be relentless, outnumbering her tribe and pushing them further onto the defensive. In the midst of the chaos, Alma had sustained deep wounds, yet she refused to yield. Her spirit burned fiercely, refusing to be extinguished by mere bloodshed.

A soft breeze wafted through the battlefield, carrying with it the scent of desert sand and the distant hum of prayer. The sound brought a faint smile to Aisha's dirt-streaked face. She knew that even in this grim moment, her faith would guide her through. With the remnants of her strength, she closed her eyes and uttered a prayer to the heavens, seeking solace and divine intervention.

In the distance, she heard the sound of shifting sand and the murmur of voices growing nearer. Opening her eyes, she saw a group of her fellow warriors approaching. Relief washed over her, for she knew she would not fight alone. They had come to her aid, their loyalty and camaraderie unwavering.

And as her journey continued, Alma vowed to carry the memory of this battlefield, the blood-stained armor, and the strength of her people with her. For in the face of adversity, she had learned that true beauty lies not only in the art of the world but within the resilience of the human spirit

The Pre-Raphaelites were a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens and Thomas Woolner who formed a seven-member "Brotherhood" partly modelled on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris and John William Waterhouse. More on the Pre-Raphaelite

Alma was by far the most distinguished of women because of her many superior qualities, especially because of the bravery she demonstrated in defense of her people.

Islam elevated the status of women, treating them on an equal footing with a man. Women had a newfound independent identity, in the physical and spiritual spheres.

Islamic history is full of warrior women who fiercely fought for what they believed in, defended what they cherished, and defied all expectations and became legends.

The Warrior Woman is an ancient archetype that is not well known because the stories have been both forgotten and suppressed. Mythology is full of warrior goddesses.

Traditionally, the Bedouin were among the most dangerous of desert tribes, fighting among themselves when outsiders weren’t available. Constantly on the move to find new pastures for their livestock, they learned to live with the minimum of possessions and little external support in the harshest of lands. Loyalty to tribe and family was all that helped a warrior survive. More on Desert Warriors

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and deviantart

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

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Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

Saturday, July 27, 2024

01 Work, Middle East Artists, THE ART OF WAR, Henry Zaidan's Mother and Child, with Footnotes #83

Henry Zaidan

Mother and Child

AI Created

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Mother and child riding a donkey, their eyes fixed on the path ahead. They are following the footsteps of the father, who tirelessly led the way through the desolate surroundings, searching for a safe place to pitch their tent amidst the horrors of war that surrounded them.

The once lively village they called home had been reduced to ruins, its buildings demolished and its streets left in disarray. The echoes of violence still reverberated in the air, a constant reminder of the destruction that had taken place. But the family pressed on, driven by an unwavering determination to find a semblance of normalcy in this war-torn landscape.

The mother's heart ached as she held her child tightly, shielding them from the harsh reality that lay before them. She whispered comforting words, assuring them that everything would be alright, even though she herself couldn't predict what the future held. The child clung onto their mother, their innocent eyes filled with confusion and fear.

Navigating through rubble-strewn streets, they passed remnants of what used to be homes, now reduced to mere shells of their former selves. The haunting imagery of shattered windows and crumbled walls served as constant reminders of the lives that were disrupted, torn apart by the chaos of war. Yet, hope continued to flicker within their weary hearts, pushing them forward.

Hours turned into days as they trekked on, the donkey trudging through the barren landscape. Finally, a small clearing emerged, a patch of grass among the debris. It was far from perfect, but it offered a glimmer of relief from the surrounding chaos. The family dismounted the donkey, their tired bodies grateful for a moment's respite.

Together, they laboriously pitched their worn tent, its fabric weathered and torn, but still providing a shelter from the elements. The mother spread a threadbare blanket on the ground, creating a semblance of comfort for her child. It was a meager refuge amidst the vast devastation, but for now, it would have to do.

As the night fell, the family huddled together, finding solace in each other's presence. They closed their eyes, their hearts heavy with the weight of uncertainty, but also filled with determination and resilience. In their unity, they clung to the hope that one day, the wounds of war would heal, and they could rebuild their lives.

Through the darkness and destruction, this mother and child found strength in their love for one another. Together, they would endure the hardships of war, seeking a brighter future amidst the surrounding devastation.

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

Thursday, July 25, 2024

01 Work, Middle East Artists, THE ART OF WAR, 17th-century Italian Old Master's Captive, with Footnotes #83

After; 17th-century Italian Old Master

Detail; Captive

Ai Generated

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After; 17th-century Italian Old Master

Captive

Ai Generated

freepik

Alma, adorned in a torn and ragged wrap around her waist. She is shown chained to a weathered column in a dimly lit dungeon, creating a sense of vulnerability and captivity.

The ground is scattered with rubble, symbolizing the destruction and decay surrounding Alma in her dire situation.

In the background, a shard of a wall is depicted, which remains from the once majestic building, alluding to the ravages of war and the loss of cultural heritage. This scene acts as a poignant backdrop, evoking a sense of melancholy and the passage of time.

Together, these elements come together to create a thought-provoking oil painting that captures the essence of the 17th-century Italian Old Master style while showcasing the beauty, strength, and vulnerability of the Arab warrior woman, Alma.