Tuesday, December 10, 2024

02 Paintings, MIDDLE EASTERN ART, Anna Boghiguian's Zar, with Footnotes, #62

Anna Boghiguian (b. 1946)
Zar, c. 1999
Mixed media (watercolour, crayon, marker on paper)
sheet: 40.5 by 59.5 cm.; 16 by 23 1/2 in.
Private collection


Estimated for 4,000 - 6,000 GBP in Apr 2023

In the cultures of the Horn of Africa and adjacent regions of the Middle East, Zār is the term for a demon or spirit assumed to possess individuals, mostly women, and to cause discomfort or illness. The so-called zār ritual or zār cult is the practice of exorcising such spirits from the possessed individual.

Anna Boghiguian (b. 1946)
Zar Near Qait Bay, c. 1999
Mixed media on paper
41.5 by 59.3 cm. 16 1/4 by 23 1/2 in.
Private collection

Estimated for 4,000 - 6,000 GBP in Apr 2023

Zār exorcism has become popular in the contemporary urban culture of Cairo and other major cities of the Islamic world as a form of women-only entertainment. Zār gatherings involve food and musical performances and they culminate in ecstatic dancing, lasting between three and seven nights. The tanbūra, a six-string bowl lyre,[3] is often used in the ritual.[4] Other instruments include the manjur, a leather belt sewn with many goat hooves, and various percussion instruments. More on Zar

Qaitbay Citadel In Alexandria was built in the 15th century, Qaitbay Citadel is located in the far north of the entrance to the eastern harbor, at the same place where the ancient Lighthouse of Alexandria lay.

Anna Boghiguian, B. 1947, EGYPTIAN. Born in Cairo, Anna Boghiguian studied art and music at the Concordia University in Montreal and political science and economics at the American University in Cairo. Throughout her travels the artist developed an intimate visual diary, drawing and colouring her surroundings assimilated with text, poetry and sketches. Every image is marked with a different kind of dynamic, often spontaneous.

Anna Boghiguian has been widely exhibited in renowned institutions throughout the world since the late 1980s. Her works can be found in the permanent collections of Neue Galerie, Kassel, Germany; Institut du Monde Arabe Paris, France; Guggenheim Abu Dhabi, UAE; Kadist Art Foundation, Paris, France and Musée Carre d'Art, Nîmes, France. More on Anna Boghiguian




Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

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Monday, December 9, 2024

01 Painting, MIDDLE EASTERN ART, Hayv Kahraman's The Kawliya Dance, with Footnotes , #60

Hayv Kahraman (Iraqi, b. 1981)
The Kawliya Dance, c. 2013
Oil on panel
47 2/3 x 96 3/8 in. (121 x 245cm.)
Private collection

Sold for GBP 118,750 in 2018

Dance of El Kawliya is a dance of improvisation. The movements are full of power, earthiness, passion and a zest for life. Iraqi Gypsy dancers have kept their traditional dances alive by maintaining their simple lifestyle and by not allowing modern elements from ballet or from any other modern dance direction to slip in. It belongs to the Shaabi Repertoires of the Iraqi Dance. More on The Kawliya Dance

Hayv Kahraman is an Iraqi artist born in 1981. At the age of 11, her family left Baghdad during the Gulf War and settled in Sweden for several years, where her status of refugee became a catalytic experience for her artistic practice. Having studied graphic design at the Accademia di Arte e Design di Firenze, Italy, Kahraman uses a variety of media including sculpture, drawing and painting to address difficult issues relative to gender inequalities, war and the migrant experience. Channeling refined aesthetics inspired from Islamic arts, Art Nouveau and Japanese paintings to confront the viewer with controversial scenes, the artist engages with the notion of femininity in Middle Eastern cultures. Her approach to gender roles and female identity encapsulates how women are persecuted in their own culture through systematic submission to the male gaze, physicality and politics. More on Hayv Kahraman




Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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Friday, December 6, 2024

02 Paintings, Middle East Artists, Hayv Kahraman's Persian Couple 1 & 2, with Footnotes, #64

Hayv Kahraman
Persian Couple 2
Oil on linen
106.7 by 172.7 cm. 42 by 68 in.
Private collection

Sold for 68,750 USD in Nov 2015

The present painting brings attention to the emotional state of the female character, echoed by the tones and the tamed senses of depth and motion depicted in the work. The juxtaposed painted patterns mimicking bedsheets over the naked bodies create a deep sense of contrast with the bare canvas around the faces of the characters. In this manner, Kahraman not only creates a graphic sense of spatial illusion, but also forces the viewer to interpret the violence of the scene through the repressed expressions of the protagonists rather than the raw confrontation of their bodies. The sharp shapes and dim colours combined with a near-absence of light and movement convey a poignant feeling of numbness and resignation. Despite the jarring implications of this scene, the painting is infused with an aura of femininity and softness – a system of representation characteristic of Kahraman’s practice, subverting conventional portrayals of violence and oppression to challenge the common perception of the role occupied by women in the Middle East. Fundamental to that purpose is the use of traditional Middle Eastern garments and tessellated patterns. By means of combining complex, wounded realities with her astonishing technical virtuosity, Hayv Kahraman has shaped modern ideas of feminism and decolonisation into accessible and seductive fairy-tale imagery with astonishing power and impact. More on this painting

Hayv Kahraman, American/Iraqi, born 1981
Persian Couple 1, c. 2009
68 x 42 in. (172.7 x 106.7 cm.)
Private collection

Hayv Kahraman is an Iraqi artist born in 1981. At the age of 11, her family left Baghdad during the Gulf War and settled in Sweden for several years, where her status of refugee became a catalytic experience for her artistic practice. Having studied graphic design at the Accademia di Arte e Design di Firenze, Italy, Kahraman uses a variety of media including sculpture, drawing and painting to address difficult issues relative to gender inequalities, war and the migrant experience. Channeling refined aesthetics inspired from Islamic arts, Art Nouveau and Japanese paintings to confront the viewer with controversial scenes, the artist engages with the notion of femininity in Middle Eastern cultures. Her approach to gender roles and female identity encapsulates how women are persecuted in their own culture through systematic submission to the male gaze, physicality and politics. More on Hayv Kahraman




Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints and 365 Days, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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Thursday, December 5, 2024

01 Painting, MIDDLE EASTERN ART, Tarek Al-Ghoussein's D Series Untitled 9 , with Footnotes , #58

Tarek Al-Ghoussein (Palestine, born 1962 )
D Series Untitled 9 
Digitl inkjet print
100cm x 150cm (39 3/8 x 59 1/16in)
Private collection

Sold for £5,625 in Apr 2015

'It's about looking at a space - how one relates to a space and how that space defines a person too,' says Palestinian-Kuwaiti artist, photographer and academic, Tarek al Ghoussain. 

Long considered amongst the most progressive and engaged photographers at work in the Middle East today, al Ghossein's intellectually-engaged and visually powerful imagery addresses the duality of his ethnic identity as the son of displaced Palestinians, growing up in the Gulf.

Much of al Ghossein's work deals with the intangibility of his Palestinian heritage. Placing the notion of a state, real in a collective consciousness yet ethereal in the world, he places himself in his works which becomes documentary artifacts of his active performances. More on this work

Tarek Al-Ghoussein was born in Kuwait, his grandparents were Palestinian exiles who were unable to visit their native home. His father, Talat Al-Ghoussein, was a journalist, editor and a diplomat who served as the Kuwait ambassador to the United States in the 1960s. His family moved a lot during his childhood between Kuwait, United States, Morocco and Japan. He received his bachelor's degree in photography from New York University and completed his master's degree in Fine Arts from University of New Mexico. He held several positions during his career, worked as a photojournalist, taught photography at the American University of Sharjah and is currently a professor at New York University branch in Abu Dhabi. More on Tarek al Ghoussain




Please visit my other blogs: Art CollectorMythologyMarine ArtPortrait of a Lady, The OrientalistArt of the Nude and The Canals of VeniceMiddle East Artists365 Saints365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

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If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

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