Wednesday, July 10, 2024

02 Works Middle East Artists, THE ART OF WAR, Tiziano Vecelli's Running for cover, where there is non!, with Footnotes #83

After Tiziano Vecelli 
Running for cover, where there is non!
AI Generated
nightcafe

In the midst of the chaotic and war-ravaged city of Gaza, where destruction and despair loomed over every street corner, a group of people found themselves running for cover. The once vibrant city now lay in ruins, its buildings reduced to rubble, and its inhabitants living in constant fear.

As sirens wailed in the distance and gunfire echoed through the desolate streets, a couple huddled together, their faces stained with tears and dirt. With every step they took, they tried to shield themselves from the horrors unfolding around them, desperately searching for a safe haven.

After Tiziano Vecelli 
Running for cover, where there is non!
AI Generated
Available at deviantart

Amidst the destruction, a young woman clutched her husband's hand tightly, her eyes filled with both terror and determination. She knew they had to keep moving, keep running, for their lives depended on it. The sound of explosions grew nearer, intensifying their urgency to find shelter.

They dodged debris and jumped over fallen walls, their bodies filled with adrenaline and fear. The once-familiar landmarks of their beloved city were unrecognizable, swallowed by the chaos of war. The distant sound of an approaching tank sent chills down their spines, propelling them forward with renewed vigor.

Tiziano Vecelli or Tiziano Vecellio, or Titian (1488/1490 – 27 August 1576), was an Italian painter, the most important member of the 16th-century Venetian school. He was born in Pieve di Cadore, near Belluno (in Veneto, Republic of Venice). During his lifetime he was often called da Cadore, taken from the place of his birth.
Recognized by his contemporaries as "The Sun Amidst Small Stars", Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of color, would exercise a profound influence not only on painters of the Italian Renaissance, but on future generations of Western art.
During the course of his long life, Titian's artistic manner changed drastically but he retained a lifelong interest in color. Although his mature works may not contain the vivid, luminous tints of his early pieces, their loose brushwork and subtlety of tone are without precedent in the history of Western painting. More on  Tiziano Vecelli 




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