Farid Belkahia , 1934-2014, Moroccan
JERUSALEM, c. 1980
Pigments and skin on wood, in four parts
183 by 155 cm.; 72 by 61 in.
Private collection
From about 1950, Belkahia took classes in Teslar’s studio. During these years, and prior to his departure from Morocco, Belkahia distanced himself from the Orientalist styles that persisted through the academic art teaching and Salons under the French Protectorate, instead choosing his own path.
From the second half of the 1950s, and during the 1960s, Belkahia travelled all over Europe, the Maghreb and the Middle East in search of his cultural roots, constantly shifting his glance from one civilisation to another. Two periods during this time were most influential to his work. The first was his stay in Paris between 1955 and 1959, where he studied at the School of Fine Arts. Here, he consolidated his understanding of modern European art and developed his particular approach to light and colour – especially while in the studio of Raymond Legueult. More on Farid Belkahia
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